Brazilian Jujutsu
- (Contributor: Don Geddis)
Intro:
Possibly the premier ground-fighting martial art. Made famous by Royce Gracie in
the early UFCs in the mid-1990's, it specializes in submission grappling when
both fighters are on the ground. Techniques include positional control
(especially the "guard" position), and submissions such as chokes and arm locks.
Origin: Brazil
History:
In the mid-1800's in Japan, there were a large number of styles ("ryu") of
jiu-jitsu (sometimes spelled "jujitsu"). Techniques varied between ryu, but
generally included all manner of unarmed combat (strikes, throws, locks, chokes,
wrestling, etc.) and occasionally some weapons training. One young but skilled
master of a number of jiu-jitsu styles, Jigoro Kano, founded his own ryu and
created the martial art Judo (aka Kano-ryu jiu-jitsu) in the 1880's. One of
Kano's primary insights was to include full-power practice against resisting,
competent opponents, rather than solely rely on the partner practice that was
much more common at the time.
One of Kano's students was Mitsuo Maeda, who was also known as Count Koma
("Count of Combat"). Maeda emigrated to Brazil in 1914. He was helped a great
deal by the Brazilian politician Gasto Gracie, whose father George Gracie had
emigrated to Brazil himself from Scotland. In gratitude for the assistance,
Maeda taught jiu-jitsu to Gastao's son Carlos Gracie. Carlos in turn taught his
brothers Osvaldo, Gasto Jr., Jorge, and Helio.
In 1925, Carlos and his brothers opened their first jiu-jitsu academy, and
Gracie Jiu-Jitsu was born in Brazil.
At this point, the base of techniques in BJJ was similar to those in Kano's Judo
academy in Japan. As the years progressed, however, the brothers (notably Carlos
and Helio) and their students refined their art via brutal no-rules fights, both
in public challenges and on the street. Particularly notable was their
willingness to fight outside of weight categories, permitting a skilled small
fighter to attempt to defeat a much larger opponent.
They began to concentrate more and more on submission ground fighting,
especially utilizing the guard position. This allowed a weaker man to defend
against a stronger one, bide his time, and eventually emerge victorious.
In the 1970's, the undisputed jiu-jitsu champion in Brazil was Rolls Gracie. He
had taken the techniques of jiu-jitsu to a new level. Although he was not a
large man, his ability to apply leverage using all of his limbs was
unprecedented. At this time the techniques of the open guard and its variants
(spider guard, butterfly guard) became a part of BJJ. Rolls also developed the
first point system for jiu-jitsu only competition. The competitions required
wearing a gi, awarded points (but not total victories) for throws and takedowns,
and awarded other points for achieving different ground positions (such as
passing an opponent's guard). After Rolls' death in a hang-gliding accident,
Rickson Gracie became the undisputed (and undefeated!) champion, a legend
throughout Brazil and much of the world. He has been the exemplar of Brazilian
Jiu-Jitsu technique for the last two decades, since the early 1980's, in both
jiu-jitsu competition and no-rules MMA competition.
Jiu-jitsu techniques have continued to evolve as the art is constantly tested in
both arenas. For example, in the 1990's Roberto "Gordo" Correa, a BJJ black
belt, injured one of his knees, and to protect his leg he spent a lot of
practice time in the half-guard position. When he returned to high-level
jiu-jitsu competition, he had the best half-guard technique in the world. A
position that had been thought of as a temporary stopping point, or perhaps a
defensive-only position, suddenly acquired a new complexity that rapidly spread
throughout the art.
In the early 1990's, Rorion Gracie moved from Brazil to Los Angeles. He wished
to show the world how well the Gracie art of jiu-jitsu worked. In Brazil,
no-rules Mixed Martial Art (MMA) contests (known as "vale tudo") had been
popular since Carlos Gracie first opened his academy in 1925, but in the world
at large most martial arts competition was internal to a single style, using the
specialized rules of that style's practice.
Rorion and Art Davie conceived of the Ultimate Fighting Championship. This was a
series of pay-per-view television events in the United States that began in
1993. They pitted experts of different martial arts styles against each other in
an environment with very few rules, in an attempt to see what techniques "really
worked" when put under pressure. Rorion also entered his brother Royce Gracie,
an expert in Brazilian Jiu-Jitsu, as one of the contestants.
Royce dominated the first years of the UFC against all comers, amassing eleven
victories with no fighting losses. At one event he defeated four different
fighters in one night. This, from a fighter that was smaller than most of the
others (at 170 lbs, in an event with no weight classes), looked thin and
scrawny, and used techniques that most observers, even experienced martial
artists, didn't understand.
In hindsight, much of Royce's success was due to the fact that he understood
very well (and had trained to defend against) the techniques that his opponents
would use, whereas they often had no idea what he was doing to them. In
addition, the ground fighting strategy and techniques of BJJ are among the most
sophisticated in the world. Besides the immediate impact of an explosion of
interest in BJJ across the world (particularly in the US and Japan), the lasting
impact of Royce's early UFC dominance is that almost every successful MMA
fighter now includes BJJ as a significant portion of their training.
Description:
Brazilian Jiu-Jitsu is primarily a ground-fighting art. Most techniques involve
both fighters on the mat. There is a heavy emphasis on positional strategy,
which is about which fighter is on top, and where each person's legs are.
Positions are stable situations, from which a large variety of techniques are
available to both fighters.
The primary positions include:
Guard: The person applying the guard is on the bottom with his back on the
ground; his legs are wrapped around his opponent's hips (who is said to be "in
the guard").
Side control: Chest-on-chest but without the legs being entangled.
Mount: On top of his opponent (who "is mounted"), sitting on his chest, with one
leg on either side of his torso.
Back mount: Behind his opponent, with his feet hooked around his opponent's hips
and upper thighs.
Specific techniques taught are designed either to improve one's position (for
example, to "pass the guard", by going from being "in the guard" to getting
around the opponent's legs, resulting in side control); or else as a finishing
submissions. Most submissions are either chokes (cutting off the blood supply to
the brain) or arm locks (hyperextending the elbow, or twisting the shoulder).
Belt ranks start at white belt, and progress through blue, purple, brown, and
then black. It generally takes about 2-3 years of training multiple times per
week to be promoted to the next belt rank. However, there is no formal rank
test. Instead, rank is about the ability to apply jiu-jitsu techniques in a
competitive match. A student generally needs to be able to reliably defeat most
other students at a given rank in order to be promoted to the next rank.
Given the jiu-jitsu roots, and the interest in competition, occasionally related
techniques are taught. In each case, other specific martial arts focus on these
sets of techniques more than BJJ, and they generally just receive passing
mention and rare practice in BJJ training. For example, takedowns tend to be
similar to Judo and western wrestling; leg locks (such as in Sambo) are not
encouraged but sometimes allowed. Some schools teach street self-defense or
weapon defense as well; this instruction tends to be much more like old-style
Japanese jiu-jitsu with partner practice, and rarely impacts the day-to-day
grappling training. Also, many dedicated BJJ students are also interested in MMA
competition, and attempt to practice their techniques without a gi, and
sometimes with adding striking from boxing or Muay Thai.
Training:
Most training has students wearing a heavy ("jiu-jitsu" or "Judo") gi/kimono, on
a floor with padded mats. A typical class involves 30 minutes of warm ups and
conditioning, 30 minutes of technique practice with a willing partner, and 30
minutes of free sparring training, against an opponent of equal skill who
attempts to submit you.
Most of the training is done with all students on the mat. For example, training
usually beings with both students facing each other from a kneeling position.
Competition is also encouraged. For a jiu-jitsu tournament, competitors are
divided by age, belt rank, and weight class. Time limits are generally five to
ten minutes, depending on belt rank. Matches start with both competitors
standing, on a floor with a padded mat. A tap out from submission ends the
match. If time runs out without a submission, points determine the winner:
2 points: Takedown from standing; Knee-on-stomach position; or Scissor, sweep,
or flip, using legs (from bottom position to top)
3 points: Passing the guard
4 points: Mount; or Mount on back (with leg hooks in)
Many BJJ students are also interested in open submission grappling tournaments
(different points rules, usually no gi), or Mixed Martial Arts (MMA). Most BJJ
instructors encourage such competition, and often assist in the training.
However, typically BJJ classes wear a gi, start from the knees, and prohibit
strikes.
Sub-Styles: None
However, note that Brazilian Jiu-Jitsu is sometimes taught under slightly
different names. In Brazil it is generally known simply as "jiu-jitsu".
Members of the Gracie family often call it "Gracie Jiu-Jitsu", and in fact this
name probably pre-dates the now more-generic BJJ for labeling the art when
outside of Brazil. (This probably would have become the generic name for the
art, but Rorion Gracie trademarked the phrase for his academy in Torrance, CA. A
later lawsuit between Rorion Gracie and Carley Gracie was resolved to permit
Gracie family members to use that phrase when teaching their family's art of
jiu-jitsu. However, the generic term "Brazilian Jiu-Jitsu" is now preferred for
referring to the art independent of instructor.)
Also, the Machado brothers (cousins of the Gracies) sometimes call their style
"Machado Jiu-Jitsu". Any of these names refer to basically the same art.
Previous:
Baguazhang | Next:
Bushidokan