Taijiquan (T'ai
Chi Ch'u"an) -
(Contributors: William Breazeal, Michael Robinson, Simon
Ryan/Peter Wakeham)
Intro:
One of the three orthodox "internal" styles of Chinese
martial art (the other two being Xingyiquan and
Baguazhang). The term "Taiji" refers to the ancient
Chinese cosmological concept of the interplay between
two opposite yet complementary forces (Yin and Yang) as
being the foundation of creation. "Quan" literaly means
"fist" and denotes an unarmed method of combat.
Taijiquan as a martial
art is based on the principle of the soft overcoming the
hard.
Origin:
Chenjiagou, Wen County, Henan
Province, China.
History:
The origins of Taijiquan are often attributed to one
Zhang Sanfeng (a Taoist of either the 12th or 15th
century depending on the source) who created the art
after witnessing a fight between a snake
and a crane. These stories were popularized in the early
part of this century and were the result of
misinformation and the desire to connect the art with a
more famous and ancient personage. All of the various
styles of Taijiquan which are in existence today can be
traced back to a single man, Chen Wangding, a general of
the latter years of the Ming Dynasty. After the fall of
the Ming and the
establishment of the Qing Dynasty (1644), Chen Wangding
returned to the Chen village and created his forms of
boxing. Originally containing up to seven forms, only
two forms of Chen Style
Taijiquan have survived into the present.
The Art was only taught to members of the Chen clan
until a promising young outsider named Yang Luzhan was
accepted as a student in the early part of the 19th
century. Yang Luzhan (nicknamed "Yang without enemy" as
he was reportedly a peerless fighter) modified the
original Chen style and created the Yang style of
Taijiquan, the most popular form practiced in the world
today. Wu Yuxiang learned the Art from Yang Luzhan and a
variation of the original Chen form from Chen Jingbing
(who taught the "small frame" version of Chen Taijiquan)
and created the Wu style. A man named Hao Weizhen
learned the Wu style from Wu Yuxiang's nephew and taught
the style to Sun Ludang, who in turn created the Sun
style (Sun was already an established master of
Xingyiquan and Baguazhang when he learned Taijiquan. He
combined his knowledge of the other arts when creating
his style). Yang Luzhan had another student, a Manchu
named Chuan You (or Quan You), who in turned taught the
Art to his son, Wu Jianchuan (or Jianquan). Wu Jianchuan
popularized his variation of the Yang style, which is
commonly refered to as the Wu Jianchuan (or Jianquan)
style. In recent times (this century) there have been
many other variations and modificationsof the Art, but
all may be
traced back through the above masters to the original
Chen family form.
Description:
Complete Taijiquan arts include basic exercises, stance
keeping (Zhanzhuang), repetitive single movement
training, linked form training, power training
(exercises which train the ability to issue
energy in a ballistic pulse), weapons training (which
includes straight sword, broadsword, staff and spear),
and various two-person exercises and drills (including
"push-hands" sensitivity drills).
A hallmark of most styles of Taijiquan is that the
movements in the forms are done quite slowly, with one
posture flowing into the next without interruption. Some
forms (the old Chen forms for example)
alternate between slow motion and explosive movements.
Other styles divide the training into forms which are
done slowly at an even tempo and separate forms which
are performed at a more vigorous pace. The goal of
moving slowly is to insure correct attention is paid to
proper body mechanics and the maintenance of the
prerequisite relaxation.
Training:
Training exercises can be divided into two broad
categories: solo exercises, and drills which require a
partner. A beginner will usually begin training with
very basic exercises designed to teach proper
structural alignment and correct methods of moving the
body, shifting the weight, stepping, etc. All of the
Taijiquan arts have at their very foundation the
necessity of complete physical relaxation
and the idea that the intent leads and controls the
motion of the body. The student will also be taught
various stance keeping postures which serve as basic
exercises in alignment and relaxation as well as a kind
of mind calming standing meditation. A basic tenet of
all "internal" martial arts is that correct motion is
born of absolute stillness. Once the basics are
understood, the student will progress to learning the
formal patterns of movement ("forms") which contain the
specific movement patterns and techniques inherent in
the style.
Traditionally, single patterns of movement were learned
and repeated over and over until mastered, only then was
the next pattern taught. Once the student had mastered
an entire sequence of movements individually, the
movements were taught in a linked sequence (a "form").
The goal of training is to cultivate a kind of "whole
body" power. This refers to the ability to generate
power with the entire body, making full use of one's
whole body mass in every movement. Power is always
generated from "the bottom up," meaning the powerful
muscles of the legs and hips serve as the seat of power.
Using the strength of the relatively weaker arms and
upper body is not emphasized. The entire body is held in
a state of dynamic relaxation which allows the power of
the whole body to flow out of the hands and into the
opponent without obstruction.
The Taijiquan arts have a variety of two person drills
and exercises designed to cultivate a high degree of
sensitivity in the practitioner. Using brute force or
opposing anothers power with power
directly is strictly discouraged. The goal of two person
training is to develop sensitivty to the point that one
may avoid the opponent's power and apply one's own whole
body power wher the opponent is most vulnerable. One
must cultivate the ability to "stick" to the opponent,
smothering the others' power and destroying their
balance. Finally, the formal combat techniques must be
trained until they become a reflexive reaction.
Modified forms of Taijiquan for health have become
popular worldwide in recent times because the benefits
of training have been found to be very conducive to
calming the mind, relaxing the body,
relieving stress, and improving one's health in general.
Modern vs. Traditional training methods:
Traditionally, a beginning student of Taijiquan was
first required to practice stance keeping in a few basic
postures. After the basic body alignments had settled
in, the student would progress to
performing single movements from the form. These were
performed repetitively on a line. After a sufficient
degree of mastery had been obtained in the single
movements, the student was taught to link the movements
together in the familiar long form. Now, it is not
uncommon for a student to be taught the long form
immediately, with no time being spent on stance keeping
or on basic movement exercises. Since the Long Form
trains all of the qualities developed in the basic
exercises, this does not really produce a dilution of
resulting martial art. It does however make it more
difficult for beginner to learn. The duration of the
basic training depends on the student and the
instructor; however, it would not be unusual for a
relatively talented student, with good instruction, to
be able to defend themselves effectively with Taiji
after as little as a year of training.
Sub-Styles:
Chen Wangding's original form of Chen style Taijiquan is
often refered to as the "Old Frame" (Laojia) and its
second form as "Cannon Fist" (Paochui). In the latter
part of the 18th century, a fifth generation decendant
of Chen Wangding, Chen Youben simplified the original
forms into sets which have come to be known as the "New
Style" (Xinjia). Chen Youben's nephew, Chen Jingbing,
created a
variation of the New Style which is known as the "Small
Frame" (Xiaojia) or "Zhaobao" form. All of these styles
have survived to the present.
The Yang style of Taijiquan is a variation of the
original Chen style. The forms which were passed down
from the Yang style founder, Yang Luzhan have undergone
many modifications since his time. Yang Luzhan's sons
were very proficient martial artists and each, in turn,
modified their father's art. The most commonly seen
variation of the form found today comes from the version
taught by Yang Luzhan's grandson, Yang Zhengfu. It was
Yang Zhengfu who first popularized his family's Art and
taught it openly. Yang Zhengfu's form is characterizes
by open and extended postures. Most of the modern
variations of the Yang style, as well as the
standardized Mainland Chinese versions of Taijiquan are
based on his variation of the Yang form.
Yang Luzhan's student, Wu Yuxiang combined Yang's form
with the Zhaobao form which he learned from Chen
Jingping to create the Wu style. This style features
higher stances and compact, circular
movements. His nephew's student, Hao Weizhen was a
famous practitioner of the style, so the style is
sometimes refered to as the Hao Style. Hao Weizhen
taught his style to Sun Ludang, who combined his
knowledge of Xingyiquan and Baguazhang to create his own
Yang Luzhan had another student named Zhuan You (or Juan
You), who in turn taught the style to his son Wu
Jianchuan (or Jianquan).
This modification of the Yang style is usually refered
to as the Wu Jianchuan (or Jianquan) style. This form's
movements are smaller and the stance is higher than the
popular Yang style.
In summary, the major styles of traditional Taijiquan
are the Chen, Yang, Wu, Wu Jianchuan (or Jianquan) and
Sun. All other "styles" are variations of the above.
Non-martial Taiji variants:
There are modified forms of Taiji which are devoted
mostly to health enhancement and relaxation. The
movements retain the flavor of Taijiquan, but are often
simplified.
Previous:
Tae Kwon Do
| Next: Wing Chun